Cabaret

Book by JOE MASTEROFF
Based on the play by JOHN VAN DRUTEN and Stories by CHRISTOPHER ISHERWOOD
Music by JOHN KANDER
Lyrics by FRED EBB
Musical Direction by ANGELA STEINER
Choreographed by KATIE SPELMAN
Directed by ALAN PAUL

Originally Co-directed and Choreographed by Rob Marshall
Originally Directed by Sam Mendes

JUNE 14–JULY 8

Boyd-Quinson Stage
30 Union Street, Pittsfield, MA

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WINNER OF 8 TONY AWARDS — INCLUDING BEST MUSICAL

Leave your troubles outside and willkommen to the decadent and debaucherous world of Cabaret. Far-right propaganda and antisemitism are taking over pre-war Berlin, but not at the sexy and seedy Kit Kat Klub, where outcasts and artists gather where life is beautiful!

FREE ARTISTIC EVENTS

Aftershows

FREE Discussion with purchase of a ticket for that night’s performance.

Stick around after the show for a discussion of the play, its themes and its relation to our community; featuring select cast and creative team. Purchase your tickets by clicking the desired date below.

Cabaret — June 21 at 7:00pm | June 28 at 7:00pm

FREE Discussion: Reflections on Antisemitism and the Cautionary Tale of Cabaret

Join a discussion with Jewish thought leaders on the relevance of art and theatre in promoting understanding and combating antisemitism. This partnership with the Jewish Federation of the Berkshires will feature a panel including Alan Paul (BSC Artistic Director), Dr. Barbara Waldinger (Ph.D. Theatre, CUNY Graduate Center) and Roselle Chartock (author and artist, Professor Emerita of Education), moderated by Jeffrey Robins (former US Delegate to the UN Human Rights Commission). Come early for coffee and a nosh!

June 29 at 10am, Boyd-Quinson Stage — RSVP by clicking here.

10:00 AM coffee and bagel reception, 10:45 AM Panel begins

Beyond the Musical: A Reading List Inspired by Cabaret

Recommended by and on display at

Berkshire Athenaeum

One Wendell Avenue, Pittsfield, MA | 413.499.9480 | pittsfieldlibrary.org

HOURS • Mon–Thurs: 9am–9pm | Thurs–Fri: 9am–5pm | Sat: 10am–5pm

Below are select works from a vast curated collection!

From our friends at the library: “As well as relating directly to Cabaret productions and the people who created them, we chose a variety of materials for you associated with Weimar Berlin, the Jazz Age, gender nonconformity, sexual identity, and the rise of fascism.”

Cabaret (Film, DVD) Directed by Bob Fosse

This 1972 film version directed by Bob Fosse and starring Liza Minnelli, Joel Grey, and Michael York admittedly differs slightly from the stage version but is still worth the watch. It won eight of the ten Oscars for which it received nominations.

Cabaret: The Illustrated Book and Lyrics

Printed to complement the Tony Award-winning 1998 Broadway revival, this beautifully illustrated script will give you glimpses into the stage and screen versions.

Master of Ceremonies: A Memoir by Joel Grey

Actor and director Joel Grey details his own personal journey through a life in the theater, including his iconic turn as the Emcee in Cabaret and the wild ride that ensued.

Cabaret: Original Soundtrack Recording (1972 Film)

Original movie cast recording, featuring Liza Minnelli and Joel Grey.

The Berlin Stories by Christopher Isherwood

The Berlin Stories is a pair of short novels giving readers a snapshot of nightlife in Berlin as Hitler was just rising to power, and they were used as inspiration for Cabaret.

Art & Queer Culture by Catherine Lord

Art & Queer Culture is a comprehensive and definitive survey of artworks that have responded to alternative forms of sexuality. This text highlights the shifting possibilities and constraints of sexual identity that have provided visual artists with a rich creative resource over the last 130 years.

Showtime: A History of the Broadway Musical Theater by Larry Stempel

Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself–beginning with the scandalous Astor Place Opera House riot of 1849, and adventuring to such groundbreaking works as Company and Rent.

CAST & CREATIVE

CAST

NIK ALEXANDER any/all (Emcee) BSC Debut. Broadway/National Tour: Ain’t No Mo’, Hamilton, Priscilla Queen of the Desert, Motown: The Musical, Dreamgirls, Jesus Christ Superstar and Smokey Joe’s Cafe. Film and television: Law & Order: SVU, The Other Two. Music singles: “Too Good To Be True”, “Take Me Back” and “Not the Enemy ‘’ from his album “The Lost Shed” are available on all digital platforms. The theater is the sanctuary where we come to lay our burdens down. @nikalexander90

DAN AMBOYER he/him (Clifford “Cliff” Bradshaw) BSC Debut. Theater: AR Gurney’s Squash (premiere, The Flea), David Ives’ The Metromaniacs (premiere, Shakespeare Theater), As You Like It, Richard III, Inherit the Wind (Old Globe), The Importance of Being Earnest (Cape Playhouse), among many. Television: Darren Star’s “Uncoupled” & “Younger,” Netflix’s “Dynasty,” CW’s “Tell Me A Story,” the NBC limited series “Blacklist: Redemption,” in addition to guest-starring roles on various others. Film: Batman v Superman, Love the Coopers, Brawl in Cell Block 99, Dan lead several Lifetime & Hallmark films, including playing Prince William in William & Catherine: A Royal Romance. Dan directed the acclaimed premiere of Whirlwind (Wild Project, Off-Broadway). Training: Carnegie Mellon. @danamboyer

CANDY BUCKLEY she/her (Fräulein Schneider) BSC Debut. Select theater: Cabaret, Thoroughly Modern Millie, After the Fall, Scandalous, Ring Round the Moon (Broadway); Becky Nurse of Salem (Lincoln Center), The Petrified Prince (The Public), Hedda Gabler, Macbeth, King Lear, Misalliance (A.R.T.); A Delicate Balance (Guthrie), Company (Bucks County Playhouse), Vanya and Sonia and Masha and Spike (Old Globe), Kill Local (LaJolla Playhouse), The Cherry Orchard (Dallas Theater Center) and Shockheaded Peter (Little Shubert). Select film and television: The Kill Room with Uma Thurman, Rare Objects with Katie Holmes, WeCrashed, Treme, Blue Bloods, The Americans. Recipient Princess Grace Statuette Outstanding Achievement in Theater.

MAX ANTONIO GONZALEZ he/him (Ensemble/Herman/Max, u/s Herr Schultz) BSC Debut. Theater: The Three Musketeers, Romeo & Juliet (National Tour); Aura 29-Hour Reading (New York Theatre Workshop), Rodgers and Hammerstein’s Cinderella (Alabama Shakespeare Festival), For You, Paige: The TikTok Musical. BFA NYU Tisch at the New Studio on Broadway. @Maxgonzo13 Maxantoniogonzalez.com

JULIA HARNETT she/her (Ensemble, u/s Sally Bowles) BSC Debut. Theater: Guys & Dolls (Kennedy Center), Chicago (Fulton), In the Heights (Arts Club). Film and television: In the Heights, The Christmas Waltz, Schmigadoon!, Power, Billions, FBI, The Other Two, Zoey’s Extraordinary Playlist, The Flight Attendant, Supergirl, Lucifer, Psych, Once Upon a Time, The Crew, Tommy, The Tonight Show with Jimmy Fallon. Thank you Alan, Katie and Angela. Thank you Tyler, and fam. Thank you Maritza, Melissa and Matt. @juliaharnett

KIM HUDMAN she/her (Ensemble/Helga) BSC Debut. Theater: The Wedding Singer (Gateway Playhouse), On Your Feet (John Engeman Theatre), Oscar at the Crown (Off Broadway), Glimmer of Light (Playbill Pride), Jan’s Jukebox (Jansport, RuPaul’s Drag Race), Burlesque (The Neon Coven). Film and television: HBO’s Gossip Girl, Westpac, Lightning Point. Cert 4 in Dance Performance (Australian Dance Performance Institute). @Kim.c.hudman

RICHARD KLINE he/him (Herr Schultz) BSC Debut. Theater: Waitress (Broadway/National Tour), City of Angels, November (Broadway), Wicked (National Tour), Straight White Men, A Nightingale Sang (Westport Playhouse), Spamalot (UCONN Summerfest), The Sting (Papermill), Seminar (UCPAC), MIzlansky/Zilinsky (Geffen Playhouse). Film and television: Liberty Heights, Don’t Think Twice, Bluebloods, The Resident, The Americans, Three’s Company. MA Northwestern University, BA Queens College. richardklinetv.com

LINA LEE she/her (Ensemble/Lulu) BSC Debut. Broadway/NYC: Miss Saigon Revival (Tony nom), The Notebook (NYC Workshop), Crazy Bread. Select theater: A Chorus Line (Signature Theatre, Helen Hayes Award Best Ensemble/Production), Cabaret (Olney Theatre Center), A Chorus Line (Ivoryton), Legally Blonde (Walnut Street/Riverside), Chicago (Oregon Cabaret), South Pacific (Harrisburg Symphony). Television: Gotham, Tony Awards. NYC Dance/Concert: Broadway Bares, Broadway Barkada’s LUMIPAD, Carnegie Hall, 54 Below, Green Room 42, Broadway at W, Broadway Sessions. James Madison University (Theatre and Dance). The Mine Agency. @linalee512

RYLAND MARBUTT they/them (Ensemble/Victor) BSC Debut. Theater: Sunset Boulevard (Kennedy Center), Hair (Asolo Repertory Theatre). BFA Pace University (Musical Theatre). @Ryland223

CHARLES MAYHEW MILLER they/he (Ensemble/Rosie/Rudy) BSC Debut. Theater: Pippin (Summer Rep Theatre), Mamma Mia (Lake Tahoe Shakespeare) and The Scottsboro Boys (Beck Center). Charles would like to thank their family and God for their continued support. BM Baldwin Wallace Music Theatre. @Charlesm616

FREDRIC ODGAARD he/him (Ensemble/Bobby, u/s Cliff Bradshaw/Ernst Ludwig) BSC Debut. Theater: Moulin Rouge! The Musical, Kinky Boots, Finding Neverland (Broadway); Pageant, We Will Rock You, West Side Story (Regional). Film and television: Taking The Reins, Fosse/Verdon, Wu-Tang: An American Saga, The Marvelous Mrs. Maisel and Rent: Live.

KRYSTA RODRIGUEZ she/her (Sally Bowles) BSC Debut. Broadway: Into the Woods, The Addams Family, In the Heights, First Date, A Chorus Line, Spring Awakening (Original and Revival), The Collaboration and Good Vibrations. Off Broadway: Seared (MCC) and What We’re Up Against. Notable regional performances include the role of “Meg” in Hercules at the Delacorte Theater and a starring role in A Chorus Line at the Hollywood Bowl. Television: Halston (for which her portrayal of “Liza Minnelli’’ received much acclaim), as well as roles in Daybreak, Smash, Trial & Error, Gossip Girl, Chasing Life, The Mysteries of Laura, Younger and Quantico. @krysta_rod

james rose she/they (Ensemble/Frenchie, u/s Emcee) BSC Debut. Regional Theater: Hedwig and the Angry Inch (Constellation Stage), Marie Antoinette (Sharon Playhouse), Newsies (Cardinal Stage), The Fantasticks (Depot Theatre), Damn Yankees (Priscilla Beach Theatre). Film and television: The Barstool (Berlin Indie Film Festival — Best Actor Winner), The Marvelous Mrs. Maisel. James made theater history as the youngest openly non-binary Hedwig in 2022. Training: NYU, Cornell. Offstage James serves as a Diversity, Equity & Inclusion consultant specializing in gender, eating disorders and anti-sexual harassment policymaking. James is currently an Ambassador for Planned Parenthood, creating content on transgender identity and sexual health, reaching a community of 500,000+ people on social media. jamesissmiling.com | @jamesissmiling

TOM STORY he/him (Ernst Ludwig) BSC Debut. Theater: Glass Menagerie, Moby Dick-Rehearsed, The Heidi Chronicles, Arsenic and Old Lace (Berkshire Theatre Group); Loot, Tartuffe (McCarter); Romeo and Juliet (Seattle Rep), Angels in America, Seminar (Roundhouse Theatre); Henry IV, As You Like It (Folger Theater); Design for Living, Twelfth Night, The Comedy of Errors (Shakespeare Theatre); The Invention of Love, A Number, Silence! The Musical, The Wolfe Twins, Pop! (Studio Theatre); Matilda (Olney). Directing credits include: Terminus, Moth (Studio Theatre); Georgia McBride (Roundhouse), Design for Living (BTG), Assassins (American University). Training: Studio Theatre (Joy Zinoman), Duke University, The Juilliard School. Awards: Affiliated Artist (The Shakespeare Theatre), Cabinet member (Studio Theatre), Fox Foundation Fellow, Byrd Scholar, 9 Helen Hayes nominations.

TIFFANY TOPOL she/her (Ensemble/Texas, u/s Fräulein Schneider/Fräulein Kost) BSC Debut. Theater: Once, Xanadu (National Tours); Sweet Charity (Writers’ Theatre), Once (Paramount Theatre), Eastland (Lookingglass Theatre), Cabaret, Guys and Dolls, My Way: A Musical Tribute to Frank Sinatra (Milwaukee Repertory Theatre); Legally Blonde, 42nd Street, My One and Only, White Christmas (Marriott Theatre); Boys from Syracuse (Drury Lane Theatre), Hairspray (Cape Playhouse), A Chorus Line (Gateway Playhouse). Film and television: Let’s Be Real, Jimmy Kimmel Live. @tifftopol

ALYSHA UMPHRESS she/her (Fritzie/Fräulein Kost) BSC Associate Artist. BSC: Mr. Saturday Night, Who Could Ask for Anything More? The Songs of George Gershwin, The Hills Are Alive with Rodgers & Hammerstein, BSC’s Holiday Getaway, On the Town, Funked Up Fairytales and countless concerts. Broadway: On the Town, American Idiot (OBC), On a Clear Day You Can See Forever, Priscilla Queen of the Desert, Bring it On! Off Broadway: Scotland, PA; Smokey Joe’s Cafe (Lortel Nominee and Chita Rivera award winner), Make Me a Song (The Music of William Finn). Television: Chicago Med, Blue Bloods, Girls5eva, Bonding, The Climb, Law & Order: SVU, Royal Pains, Nurse Jackie. @alyshaumphress

CREATIVE TEAM

JOE MASTEROFF (Book) Born in 1919 in Philadelphia, Joe Masteroff had only one dream from infancy: to write for the theatre. After the essential lonely childhood and four-year stint in the Air Force, he came to New York to face his future: book writer or book seller? Luckily, luck intervened. Before long he had three shows on Broadway bearing his name: The Warm Peninsula starring Julie Harris, and two musicals, She Loves Me and Cabaret, for which he was the book writer. His other work included the libretto for 70, Girls, 70 and Desire Under the Elms and book and lyrics for Six Wives and Paramour. Thanks to indulgent parents, the New Dramatists, Hal Prince and many others, Joe Masteroff retired and lived in subdued luxury until his death in 2018.

JOHN KANDER (Music) & FRED EBB (Lyrics) Composer John Kander teamed with lyricist Fred Ebb to forge one of the longest-running and most successful partnerships in Broadway history. The current Broadway revival of Chicago is now the longest-running American musical in history. Their musicals include Flora, the Red Menace (1965); Cabaret (1966); Zorba (1968); 70, Girls, 70 (1971); Chicago (1975); The Act (1978); Woman of the Year (1981); The Rink (1984); And the World Goes ‘Round (1991); Kiss of the Spiderwoman (1992); Chicago (1996); Steel Pier (1997); Curtains (2006); The Scottsboro Boys (2010); and The Visit (2015). Their work in the theatre has been recognized by three Tony Awards (Cabaret, Woman of the Year and Kiss of the Spiderwoman). The film adaptations of Chicago and Cabaret are two of the most successful musicals on film of all time. Chicago was recognized with six Academy Awards including Best Picture. Cabaret earned eight Academy Awards including Best Original Song Score. Their work on the film New York, New York has resulted in one of the most enduring anthems of all time. The two have been honored with numerous awards, including the Kennedy Center Honors Award. Fred Ebb passed away in 2004. but Kander has continued writing — not only finishing the projects the two had begun. but also writing new projects including The Beast in the Jungle, Kid Victory and The Landing.

ALAN PAUL he/him (Director) Before joining BSC, Alan was the Associate Artistic Director of the Tony Award-winning Shakespeare Theatre Company, where he directed productions of Our Town; Camelot; The Comedy of Errors; Romeo and Juliet; Kiss Me, Kate; Man of La Mancha; A Funny Thing Happened on the Way to the Forum and the film of Patrick Page’s All the Devils Are Here, which was a New York Times Critic’s Pick.

Along with his work at STC, Alan has directed productions at theatres across the country including Seattle’s 5th Avenue Theatre, Chicago’s Drury Lane Theatre and at almost every top Washington, D.C. theatre including Arena Stage, Signature Theatre, Olney Theatre Center, Studio Theatre and Round House Theatre.

Alan is particularly dedicated to new work and has spent much of his career developing new plays and musicals. At STC, Alan commissioned Lauren Gunderson to write a feminist adaptation of Peter Pan and Wendy which premiered in 2019. He brought in significant musical theatre composers such as Michael John LaChiusa, Daniel Kluger and Jenny Giering to compose scores for his productions.

Alan has a passion for classical music and works regularly at The Kennedy Center. He directed the world premiere of Penny for the Washington National Opera and is a frequent guest with the National Symphony Orchestra. He recently directed John Williams: The 90th Birthday Gala Concert at the NSO with Steven Spielberg, Yo-Yo Ma, Anne-Sophie Mutter and Daisy Ridley. In 2013, Alan was the only American finalist for the European Opera Directing Prize in Vienna, Austria. Alan has been nominated for five Helen Hayes Awards and was awarded Best Director in 2014.

KATIE SPELMAN she/her (Choreographer) BSC debut. Recent credits include An American Tail (CTC), Day 365 — Live from the Rainbow Room with Dylan Mulvaney, Once (Writers Theatre), The Notebook (CST), AD 16 (Olney Theater), The Beautiful Game (Tokyo), The Who’s Tommy (DCPA) and Oklahoma! (Goodspeed). She has also collaborated with Lookingglass, Ars Nova, Shakespeare Theatre Company, Camerata Bern, Court Theatre, The Hypocrites, Ensemble Studio Theatre, Timeline Theatre and Northwestern University. Katie was the Associate Choreographer on Moulin Rouge! for the Boston, Broadway and Australian companies, and she was the recipient of the SDCF Agnes DeMille commission in 2019.

ANGELA STEINER she/her (Music Director/Conductor/Additional Arrangements) BSC Debut. Theater: Hair (Old Globe), Cabaret, Sweeney Todd (Asolo Repertory Theatre); Rattlesnake Kate, The Who’s Tommy, Oklahoma, Indecent, Twelfth Night (Denver Center for the Performing Arts); Rodgers and Hammerstein’s Cinderella (Geva Theatre and Alabama Shakespeare Festival). angelasteiner.com

WILSON CHIN he/him (Scenic Designer) BSC: Sweeney Todd, The Violet Hour. Broadway: Cost of Living, Pass Over (Drama Desk and Lortel Award nominations), Next Fall. Off Broadway: A Bright New Boise (Signature), The Thanksgiving Play (Playwrights Horizons), Space Dogs (MCC, Lortel Award nomination), Teenage Dick (Ma-Yi/Public), This Land Was Made (Vineyard). Opera: Turandot (Washington National Opera), Lucia di Lammermoor (Lyric Opera of Chicago), Eine Florentinische Tragödie/Gianni Schicchi (Canadian Opera, Dora Award winner). Film and television: Pass Over (dir. Spike Lee), Game Theory with Bomani Jones (HBO), Blindspot (NBC). Eastern Region Board member of Local USA 829.
Instagram: @wilsonchindesign

RODRIGO MUÑOZ he/him (Costume Designer) BSC Debut. Rodrigo is a NY-based Costume Designer, originally from Mexico City. Off Broadway: Plays for the Plague Year (Public Theater), Bernarda’s Daughters (New Group), Sorry for Your Loss (Minetta Lane Theatre), RENT (Paper Mill Playhouse), Notes From Now (Prospect Theater Company), This Space Between Us (Theater Row), Preparedness (Bushwick Starr), Volpone, The Revenger’s Tragedy (Red Bull Theater). Regional: The Bluest Eye (Huntington Theatre), Red Velvet (Shakespeare Theatre Company), Torera (Alley Theatre), Somewhere (Geva Theatre), How to Make an American Son (Arizona Theatre Company), Mushroom (People’s Light), Fall of the House of Usher (Boston Lyric Opera), Bad Dates (Portland Stage), Jazz Singer (Abrons Arts Center). rodrigomunozdesign.com

PHILIP S. ROSENBERG he/him (Lighting Designer) BSC: Eleanor, Tribes, Much Ado About Nothing, See How They Run, Sweeney Todd. Broadway: Mrs. Doubtfire, Pretty Woman, The Elephant Man, A Gentleman’s Guide to Love and Murder and It’s Only a Play. Regional: Kennedy Center, La Jolla Playhouse, Ford’s Theatre, Guthrie Theater, Old Globe, TheatreWorks, Hartford Stage, Alliance, Huntington Theatre Company, Chicago Shakespeare Theatre, Shakespeare Theatre Company, Dallas Theatre Center, Denver Center Theatre, Alley Theatre, Arena Stage, McCarter Theatre, Manhattan School of Music, Portland Stage Company, TACT, Williamstown Theatre Festival, Dorset Theatre Festival, Bay Street Theatre, Goodspeed Opera House, Two River Theatre Company, George Street Playhouse and Westport Country Playhouse.

KEN TRAVIS he/him (Sound Designer) BSC Debut. Broadway: Aladdin, In Transit, Jekyll & Hyde, A Christmas Story: The Musical, Scandalous, Newsies, Memphis, The Threepenny Opera, Barefoot in the Park, Steel Magnolias. Numerous New York and regional theaters and companies including: DCPA, Asolo Rep, Old Globe, 5th Avenue Theater, McCarter Theater, Seattle Rep, La Jolla Playhouse, LA Center Theater Group, ACT Seattle, Guthrie Theater, KC Rep, Dallas Theater Center, Playwrights Horizons, New Group, NYSF Public Theater, CSC, Signature Theater NYC, SoHo Rep, Vineyard Theater, Civilians, Mabou Mines, national and international festivals and tours.

MARY SCHILLING-MARTIN (Wig Designer) BSC: A Little Night Music, Andy Warhol in Iran, Boca, Eleanor, Fall Springs, Time Flies and Other Comedies, The Royal Family of Broadway. Regional: Berkshire Theatre Group, Northern Stage, Great Lakes Theater, Idaho Shakespeare Festival, Lake Tahoe Shakespeare Festival, Cleveland Play House, Goodman Theatre, La Jolla Playhouse, Denver Center Theatre Company, Marriott Theater in Lincolnshire, San Diego Repertory Theatre, Arizona Theatre Company. Mary along with her daughter, Caitie, is co-owner of Wigs and Whiskers.

HANNAH CHALMAN she/her (Makeup Designer) is a costume designer, costume technician and makeup artist from Tennessee. She received her MFA in Costume Design from Virginia Commonwealth University and her BA in Theatre from the University of Tennessee in Knoxville. Credits include working as Associate Costume Designer for Suffs (The Public Theater), Assistant Costume Designer for Paradise Square (Chicago Pre-Broadway Run), Assistant Costume Designer for Othello (The Public Theatre – Shakespeare in the Park), Assistant Costume Designer for Admissions (Lincoln Center Theatre), Personal Assistant to Toni-Leslie James for Come From Away (Broadway), Associate Costume Designer for Romeo and Juliet (The Acting Company), Associate Costume Designer for Cabaret (Goodspeed), and Assistant Costume Designer/Guest Artist Stylist for May We All: A New County Musical (TPAC).

JASON BROUILLARD he/him (Production Stage Manager) BSC: A Crossing, Andy Warhol in Iran, Anna in the Tropics, All of Me. Broadway: Big Fish, Spider-Man, The Best Man, Bonnie & Clyde, Baby It’s You, West Side Story, Jersey Boys, LoveMusik, Hairspray, Frog and Toad, Dance of The Vampires, The Civil War. Tours: Dear Evan Hansen, An Evening with Patti LuPone & Mandy Patinkin, John Lithgow: Stories by Heart, Ragtime. Off Broadway: Sakina’s Restaurant, If I Forget, Trip of Love, Satchmo at the Waldorf, The Cocoanuts. Carnegie Hall: Anyone Can Whistle. Many regional theater productions, including the new musical Afterwords at the 5th Avenue Theatre.

ELIZABETH ALLEN she/her (Assistant Stage Manager) BSC Debut. Theater: Macbeth (Broadway), Ain’t Too Proud, Bandstand (1st National Tour); White Christmas, American Girl Live! (National Tour); Stardust Road (York Theatre Company), Dodi & Diana (Colt Coeur), The Cherry Orchard, The Connection (The New School); The House Party — Pride 2021 (NYLA). Virtual Events: Google, NFL Players Association. Film and television: A Bronx Tale: One Man Show, Two Against Nature, Search Party Season 5, The Son NYC Unit, Grendel NYC Unit. Indiana University. For my family, with love. @elizabeth.allen.sm

MCCORKLE CASTING: PAT MCCORKLE, CSA; REBECCA WEISS, CSA (Casting) Casting actors for Barrington Stage for 21 years. Pat McCorkle is pleased to be an Associate Artist at BSC. Broadway: Over 50 productions including On the Town, Amazing Grace, End of the Rainbow, The Lieutenant of Inishmore, Cat on a Hot Tin Roof, One Flew Over the Cuckoo’s Nest, Amadeus, She Loves Me, A Few Good Men. Off Broadway highlights: Clever Little Lies; Sheer Madness; Tribes; Our Town (Barrow Street); Freud’s Last Session; Toxic Avenger; Almost, Maine; Driving Miss Daisy. Feature film: Premium Rush, Ghost Town, The Thomas Crown Affair, Die Hard with a Vengeance, School Ties, etc. Television: Twisted, St. George, Sesame Street, Hack, Californication, Max Bickford, Chappelle’s Show, Strangers with Candy, Barbershop, etc. mccorklecasting.com

CHARLIE SIEDENBURG (Berkshires Press Representative), Associate Artist (19^th Season), joined the BSC family in 2005 and has represented over 150 BSC productions. His work has led to features in The New York Times, The Wall Street Journal, The Boston Globe, Associated Press and American Theatre Magazine. His many PR credits include the Metropolitan Opera (Live in HD), Paper Mill Playhouse, George Street Playhouse, Hartford Stage, Goodspeed Musicals, Long Wharf Theatre, Surflight Theatre and Two River Theater Company. He serves as Press Rep for Wagner College Theatre, The Minty Awards, Ghostlight Productions and Forestburgh Playhouse. Charlie is a 1995 Theatre/Arts Administration graduate of Wagner College on Staten Island, where he currently teaches Theatre Appreciation. In 2021, he received a Berkshire Theatre Critics Association Special Award for Exceptional Support of Arts Journalism in the Berkshires.

THE PRESS ROOM (National Press Representatives) Broadway: Hamilton, The Book of Mormon, Prima Facie. Off Broadway: Blue Man Group, Death Drop, The Fears. Upcoming: Female Troubles, Personality: The Lloyd Price Musical, A Wonderful World. Recent credits: Fiddler on the Roof in Yiddish, Paradise Square, The Waverly Gallery, Three Tall Women, Farinelli and the King. Clients include: The Acting Company, Drama Book Shop, Hershey Felder, Hunter Theater Project, National Yiddish Theatre Folksbiene, New York Classical Theatre, Ogunquit Playhouse, Paper Mill Playhouse, Rosie’s Theater Kids, Shakespeare’s Globe, Theatre Row, Vineyard Theatre, The Wooster Group.