Associate Artists

BSC: A Crossing: A Dance Musical (Director & Choreographer, Berkshire Theatre Awards), The Royal Family of Broadway, The Pirates of Penzance (Berkshire Theatre Award), On The Town, Guys and Dolls, Carousel, World Goes Round, West Side Story (2007). Broadway: Charlie and the Chocolate Factory, On the Town (TONY, Drama Desk, OCC noms; Astaire Award), Gigi. Off Broadway: Sweet Charity (Chita Rivera Award; Lortel nom.); Cagney (Drama Desk, OCC, Astaire Noms; Callaway Finalist); Bomb-itty of Errors; Captain Louie. Encores!: The Golden Apple, Little Me, It’s A Bird…It’s A Plane… It’s Superman!. As Dir/Choreo: Hazel (Drury Lane), West Side Story (NCT). Television: Smash (NBC—EMMY Award), So You Think You Can Dance (FOX), A Capitol Fourth (PBS), Jessica Jones (Netflix), Sinatra: A Voice for a Century (PBS).

BSC: A Crossing: A Dance Musical, Chester Bailey, The Pirates of Penzance, On the Town, The 25th Annual Putnam County Spelling Bee. 23 Broadway shows including: Act One (Tony Award), The Scottsboro Boys (Tony Nomination), Therese Raquin (Tony Nomination), Come from Away, Freestyle Love Supreme, The New One, A Bronx Tale, Hand to God, Sondheim on Sondheim, …Spelling Bee, LoveMusik and On the Town. Off Broadway: 100 shows including The Last Five Years, Fiddler on the Roof (in Yiddish) and Miss Julie. He has designed for NYC Ballet and Ringling Brothers Circus and around the world in England, Russia, China, Australia and Japan.

BSC: Sister Sorry; Into the Woods; A Doll’s House, Part 2; Ragtime; Kiss Me, Kate; Breaking the Code; Romance in Hard Times; The Burnt Part Boys; The Mysteries of Harris Burdick (book writer); The Memory Show. New York: Playwrights Horizons, Second Stage, Primary Stages, Lincoln Center. Other regional: Signature Theatre, The Old Globe, The Kennedy Center and many more. He has been nominated for two Drama Desk Awards, the Jeff Award, the Evening Standard Award and won a Lucille Lortel Award, two Barrymore Awards and four Helen Hayes Awards. His published works as a playwright include Walter Cronkite is Dead, In the Absence of Spring, Shakespeare’s R&J and Winter Break.

Darren R. Cohen has music directed over 20 shows including Mack & Mabel, Follies, Sweeney Todd, The Pirates of Penzance, Ragtime, Company, West Side Story, Into the Woods, The Hills Are Alive with Rodgers & Hammerstein and Who Could Ask for Anything More? The Songs of George Gershwin. Broadway/Off Broadway: A Chorus Line, Chicago, Fosse, Make Me A Song (orig. cast recording), Zombie Prom (orig. cast recording), Anyone Can Whistle, A…My Name Is Still Alice, Carnival, The Fantasticks, And the World Goes ‘Round, Nunsense, Show Me Where the Good Times Are, Bar Mitzvah Boy. Regional favorites include: Sacramento Music Circus, Center Stage-Baltimore, Studio Theatre (DC), Goodspeed, North Shore Music Theatre, Coconut Grove Playhouse, Repertory Theatre of St. Louis, Cincinnati Playhouse, The MUNY, Kansas City Starlight, Asolo. Author: The Complete Professional Audition (Random House), and a graduate of the Eastman School of Music. Mr. Cohen resides in New York City.  darrenRcohen.com. For AHC and CC.

16 seasons at BSC from 2004–2020. Highlights: Harry Clarke, The Importance of Being Earnest, Freud’s Last Session, Breaking The Code, Shining City, His Girl Friday, THIS, Gaslight and The Glass Menagerie. Mark has worked at regional theatres from coast to coast and appeared on and off Broadway. He has guest-starred on network television, web series and just finished shooting Louie, a movie written/directed by the Berkshires’ own Robert Biggs. Mark is the recipient of Connecticut Critics Circle and San Diego Critics Awards and a Berkie nominee. He is a graduate of Boston University and The Yale School of Drama. He is a member of The Actors Center. MarkHDold.com

BSC: Much Ado About Nothing, Going to St. Ives, Private Lives and A Picasso. Gretchen began acting as a child in Lancaster, Pennsylvania. She moved to New York to attend The Juilliard School and has been living and working in New York and Los Angeles ever since. As her television and film career began blossoming, her work in the theater, both on and off Broadway, has remained a constant. On stage, Gretchen has appeared on Broadway in Jackie (also in the West End) and Ring Round the Moon (Lincoln Center on Broadway) and off-Broadway in More Lies About Jerzy (Vineyard Theater) and All this Intimacy (Second Stage), among others. Regionally, in addition to her Barrington Stage appearances, she has played Blanche in A Streetcar Named Desire at the Guthrie Theater, Rosalind in As You Like It at the Pittsburgh Public, Emma in Betrayal at the Huntington Theater, Hannah in Arcadia at ACT, and many others over the years. In film, she has appeared in Mira Nairʼs The Namesake, Anthony Minghellaʼs The Talented Mr. Ripley, and Robert Redfordʼs Quiz Show, among others. Her television appearances include series regular roles as Katie Vasser on Journeyman and Amy Dylan on Martial Law, to her recurring characters, Vanessa Whittaker on Roswell and ADA Gill on Law & Order: SVU. She starred opposite Brad Garrett in the Jackie Gleason biopic Gleason for CBS and opposite John Stamos in The Two Mr. Kissels for Lifetime, and has guest starred in numerous other shows including The Good Wife, Blue Bloods, Lie to Me, Criminal Minds, CSI:Miami, Ghost Whisperer, Medium, NCIS, Without a Trace, Law & Order and others. Gretchen studies and teaches the Michael Chekhov acting technique. She attended the Juilliard School. For more information: gretchenegolf.com.

For BSC: The Royal Family of Broadway (2018), Romance in Hard Times (Book by Rachel Sheinkin, 2014), The 25^th Annual Putnam County Spelling Bee (2004 and 2008) and Falsettos (2003); Since 2006, the Artistic Producer of BSC’s acclaimed Musical Theatre Lab. Under his mentorship, 12 world premiere musicals and 7 workshops have been produced: The Burnt Part Boys, Travels with My Discontent, Disorder: A Mother/Daughter Vaudeville, Funked Up Fairy Tales, The Mysteries of Harris Burdick, My Scary Girl, See Rock City and Other Destinations, Pool Boy, The Memory Show, Mormons, Mothers and Monsters, The Black Suits, Southern Comfort, Romance in Hard Times, The Golem of Havana, Presto Change-O and Broadway Bounty Hunter. He has written/composed In Trousers (L.A. Drama Critics Award), Falsettos (two Tony Awards: Best Book [with James Lapine] and Best Original Score), March of the Falsettos (Outer Critics Circle Award for Outstanding Musical, L.A. Drama Critics Award), Falsettoland (two Drama Desk Awards and Lucille Lortel Award for Best Musical), Romance in Hard Times (Public Theater), A New Brain (Lincoln Center/Outer Critics Circle Award for Best Musical) and Elegies: A Song Cycle (Lincoln Center). Finn wrote the lyrics to Graciela Daniele’s Tango Apasionado (music by the great Astor Piazolla); with Michael Starobin, the music to James Lapine’s version of The Winter’s Tale; with Vadim Feichtner the music to Mark Lamos’ production of As You Like It (Delacorte Theatre in Central Park). He graduated from Williams College, where he was awarded the Hutchinson Fellowship in Musical Composition, and currently teaches a weekly master class at NYU’s Graduate Musical Theatre Writing Program. His most recent projects include Little Miss Sunshine (book by James Lapine, La Jolla Playhouse), Elegies, A Song Cycle (Lincoln Center) and The 25th Annual Putnam County Spelling Bee which was created, workshopped and premiered at Barrington Stage Company before taking New York by storm, winning two Tony Awards and running more than 1,000 performances on Broadway. Spelling Bee has been produced nationally and internationally as well and is currently one of the most performed musicals in the United States according to Theatre Communications Group (TCG).

BSC: Who Could Ask for Anything More? The Songs of George Gershwin, The Hills Are Alive with Rodgers & Hammerstein, American Underground, The Royal Family of Broadway, Broadway Bounty Hunter, Romance in Hard Times. Romance in Hard Times. Alan has been on Broadway in Charlie and the Chocolate Factory, School of Rock, Sister Act and Play On! He’s been in multiple First National Tours and is heard on several cast albums — most recently Broadway Bounty Hunter by fellow BSC Associate Artist Joe Iconis. He’s been a featured soloist all over the world including Radio City Music Hall, The White House and the Mount of Olives in Jerusalem. His TV work includes Almost Family, Murphy Brown, Unforgettable, Peter Pan Live!, 30 Rock, Law & Order: SVU and many national commercials. Alan has a degree in Vocal Performance from Rice University, is a Deacon at Metro Baptist Church and a board member here at Barrington Stage. IG: @alanhgreen ALANHGREEN.com

BSC: World Premieres of Broadway Bounty Hunter, The Black Suits and numerous appearances at Mr. Finn’s Cabaret. A musical theatre writer, composer and lyricist, he has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and the recipient of an Ed Kleban Award, a Jonathan Larson Award, a Richard Rodgers Award, and is a former Ars Nova artist-in-residence.  Joe’s musical Be More Chill debuted in March 2019 at Broadway’s Lyceum Theater, following a sold-out Off Broadway run at The Pershing Square Signature Center and a world premiere at Two River Theater. He is the author of Love in Hate Nation  (Two River Theater), Broadway Bounty Hunter (Barrington Stage Company and Greenwich House Theater Off Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Musicals), TheaterWorks USA’s The Plant That Ate Dirty Socks and We The People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson Musical for La Jolla Playhouse and Punk Rock Girl. His music appeared on Season 2 of NBC’s “Smash,” with his song “Broadway, Here I Come!” hailed by The New York Times as a new entry in The Great American Songbook. Albums: Be More Chill (OCR), which has been streamed over 350 million times; Things To Ruin (OCR); Two-Player Game and The Joe Iconis Rock and Roll Jamboree all available on Sh-K-Boom/Ghostlight Records.

A native of Huntington NY. Chris attended the United States Naval Academy and Syracuse University. BSC: A Doll’s House, part 2; The Game; Cyrano De Bergerac; The Importance of Being Earnest; Ring ‘Round the Moon; Private Lives; Carousel; A Streetcar Named Desire; Absurd Person Singular; The Crucible; Much Ado About Nothing; His Girl Friday. Directing: The Other Place, The Whipping Man, Shining City and Mark St. Germain’s Period Piece/Collyer Brothers and Camping With Henry and Tom. Broadway: Victor/Victoria, Les Miserables, The Three Penny Opera, 110 In The Shade, The People In The Picture, The Snow Geese and The Gershwin’s Porgy and Bess. Off Broadway projects include the title role in Floyd Collins at Playwright’s Horizons, recorded on Nonesuch Records, NYSF’s King Lear at the Delacorte, Atlantic Theatre, Vineyard, Transport Group, Red Bull, MTC and Lincoln Center. Most recent acting work playing Banquo in Dan Sullivan’s Macbeth at Berkeley Rep opposite Conleth Hill and Frances McDormand. Other regional work at Steppenwolf, Guthrie, Yale Rep, Long Wharf, Wilma and more. He is an Affiliated Artist with The Shakespeare Theatre Company in DC. His short plays Turtles and Phantom Limb are published by Applause Books and youthPlays respectively. Most recent work: Bobbie Clearly at Roundabout Underground and Steven Spielberg’s The Post.

BSC: Guys and Dolls; The Memory Show; Is It Over Yet?; Half Jew, All Guilt; Hello, Gorgeous! Leslie Kritzer Sings Jule Styne. Broadway: Beetlejuice (Drama Desk and Drama League Nominations), Something Rotten, Elf, Sondheim on Sondheim, Legally Blonde (Clarence Derwent Award), A Catered Affair (Drama Desk nomination) and Hairspray. Off Broadway credits include The Roundabout Theatre’s production of The Robber Bridegroom, which earned her a Lucille Lortel Award as well as Drama League and Astaire award nominations; Gigantic (Lucille Lortel Nomination), Nobody Loves You at Second Stage, The Memory Show at Transport Group, Rooms: A Rock Romance, (Outer Critics Circle nomination) and The Great American Trailer Park Musical (Drama Desk nomination). Leslie received a TimeOutNY Award for her solo show, Leslie Kritzer Is Patti LuPone at Les Mouches and has written several other shows including Beautiful Disaster and Burn It to the Ground. TV: New Amsterdam, The First Lady, Bridge & Tunnel, Difficult People, Kevin Can Wait, Younger, VINYL, Law & Order: SVU. Instagram/Twitter @leslierodriguezkritzer.

BSC: Sister Sorry, Boca, Who Could Ask for Anything More? The Songs of George Gershwin, Harry Clarke, Fall Springs, Gertrude and Claudius, West Side Story. Broadway: The Lightning Thief: The Percy Jackson Musical, Torch Song with Michael Urie and Mercedes Rhuel, The Heiress with Jessica Chastain, The Lyons with Linda Lavin, Master Class with Tyne Daly, Bengal Tiger at the Baghdad Zoo with Robin Williams (Drama Desk Award; Tony and Outer Critics Nominations), 33 Variations with Jane Fonda (Tony and Outer Critics nominations), I Am My Own Wife (Drama Desk and Outer Critics nominations), among others. Off Broadway: The Public Theater, Roundabout Theatre, Signature Theatre, The Vineyard Theatre, among others. Regional: Arena Stage, Goodman Theatre, Guthrie Theater, Hartford Stage, Huntington Theatre, Kennedy Center, Mark Taper Forum, among others. International Theatre and Opera: Dublin, Delhi, London, Melbourne, Mumbai, Singapore, Sydney, Tokyo, among others.

Renée Lutz has been a production stage manager with Barrington Stage since the company was founded in 1995. Over 55 BSC productions including Fall Springs, Into the Woods, West Side Story, The Royal Family of Broadway, Gaslight, Company, Ragtime, American Son, Tribes, Sweeney Todd, Man of La Mancha, Cabaret, Follies, etc. Recent credits: Skin of Our Teeth (directed by Arin Arbus) and Pericles (directed by Trevor Nunn; Theatre for a New Audience). Credits include: Merchant of Venice (directed by Darko Tresnjak—both national tour and the Royal Shakespeare Company), Hamlet (directed by Darko; Hartford Stage), ART, New York Public Theater, Playwrights Horizons, Manhattan Theatre Club, Signature, Classic Stage, Vienna Festwochen, BTF, Yale Rep., Coconut Grove, etc. Her very best credit and longest run is her husband, actor Gordon Stanley.

BSC: Time Flies and Other Comedies, Kunstler, Broadway Bounty Hunter, Man of La Mancha, Southern Comfort, All My Sons, Sweeney Todd, Follies, Mack & Mabel. Broadway: Chicago (Billy Flynn), Urinetown (Lockstock), The Grinch Who…(Grinch), The Pirate Queen (Dubdhara), Side Show (Terry), Beauty and the Beast (Beast), Smile (Big Bob), Zorba (Niko), The Pirates of Penzance (Pirate King). L.A.: Les Misérables (Javert), The Three Sisters (Vershinin), Search and Destroy (Martin), A Little Night Music (Frederick), City of Angels (Stone). Off Broadway: Southern Comfort (The Public Theater), Sympathetic Magic (Second Stage), Dream True (Vineyard), On the 20th Century (York). Regional: My Fair Lady (Guthrie), Kunstler (Hudson Stage), Fox on the Fairway (Signature Theater,) Dirty Rotten Scoundrels ( Virginia Rep), Mame (Kennedy Center), Spamalot (Casa Mañana), You, Nero (Berkeley Rep), Oliver (Arena Stage), The Price and The Front Page (Long Wharf), The Beggar’s Opera (Santa Fe Opera), Henry lV part 1 & 2 (Indiana Rep), Bed and Sofa (Wilma Theater), Arms and the Man (Huntington), A Lie of the Mind (Denver Center), Bedroom Farce (Center Stage), The Misanthrope (Guthrie), Buried Child and Pantegleize (ACT, San Francisco), Henry IV (Indiana Rep.), Sunday in the Park (Seattle Rep), A Lie of the Mind (Denver Center). International: Iphenigia inAulis (AthensTheater Center), Lady Be Good ( La Fenice, Italy) TV: “Elementary”, “The Good Wife”, “Schweitzer” (title role), “Letterman”, “Love Monkey,” “Star Trek: TNG” and “Voyager,” “Ed,” “Law & Order(s),” “Cheers,” “Designing Women,” “L.A. Law,” “In the Heat of the Night.” Film: Starting Out in the Evening, Consent, RoboCop 2, Eve of Destruction, Rapid Fire, Cliffhanger. Jeff is the voice of the great Chuck Jones’ creation, Michigan J. Frog.

McCorkle Casting LTD is pleased to be named “Associate Artist” and casting actors for Barrington Stage for 15 years. Broadway: Over 50 productions including On the Town, Amazing Grace, End of the Rainbow, The Lieutenant of Inishmore, Cat on a Hot Tin Roof, One Flew Over the Cuckoo’s Nest, Amadeus, She Loves Me, A Few Good Men. Off Broadway: highlights — Clever Little Lies; Sheer Madness; Tribes; Our Town (Barrow Street); Freud’s Last Session; Toxic Avenger; Almost, Maine; Driving Miss Daisy. Feature film: Premium Rush, Ghost Town, The Thomas Crown Affair, Die Hard with a Vengeance, School Ties, etc. Television: Twisted, St. George, Sesame Street, Hack, Californication, Max Bickford, Chappelle’s Show, Strangers with Candy, Barbershop, etc. mccorklecasting.com

BSC: Who Could Ask for Anything More? The Songs of George Gershwin, Company, Broadway Bounty Hunter (Berkshire Theatre Award). An Emmy Award-nominated director and choreographer, he spearheaded the 2015 and 2018 Tokyo productions of the musical Memphis, which received four Yomiuri Award nominations, including Best Musical. The first African American to be named the Marcus Institute Fellow for Opera Directing at The Juilliard School. Mr. Page won an MTV Video Music Award for his work with Beyoncé, whose creative team have included him for more than 12 years. His work was featured on Beyoncé’s The Formation World Tour, in her historic Coachella Valley Music and Arts Festival performance, and in two of her HBO specials. Mr. Page was the associate creative director for Mariah Carey’s Sweet, Sweet Fantasy European Tour, and has been a featured choreographer on Fox Television’s So You Think You Can Dance. He currently is the creative director for singer-songwriter Jazmine Sullivan, most recently working with her on the 2020 BET Soul Train Music Awards. Mr. Page was in the original, award-winning Broadway cast of Fela!. He worked alongside Tony Award-winning composer Jeanine Tesori to choreograph the hit Broadway musical Violet starring Sutton Foster (Roundabout Theatre Company). In 2016, he established Movin’ Legacy as an Indianapolis-based nonprofit organization dedicated to the ethnology and documentation of contemporary and traditional dance from Africa and the African diaspora. Jeffrey holds a MFA degree, with a concentration in Theatre Directing from Columbia University in New York City, and serves as a lecturer at Harvard University and The Juilliard School. In 2019 he was awarded the Chuck Davis Emerging Choreographer Fellowship from the Brooklyn Academy of Music. Currently, as co-director and choreographer, he is working with Diane Paulus and the American Repertory Theatre at Harvard University to mount the Broadway revival of 1776.

Scott Pinkney has designed more than 30 productions for The Barrington Stage Company since 2003, including If I Forget, Well Intentioned White People, Typhoid Mary, American Son, Camping With Henry And Tom, The Best of Enemies, The Whipping Man, The Crucible, A Streetcar Named Desire, Carousel, Uncle Vanya, Follies, West Side Story and Ring Round the Moon. He was represented on Broadway by Harvey Fierstein’s Tony Award-winning Torch Song Trilogy. Off Broadway credits include Mark St. Germain’s Becoming Dr. Ruth, Leonard Nimoy’s Vincent, Mark Medoff’s The Majestic Kid, the original production of Ken Ludwig’s Divine Fire, The US Premier of Cole Porter’s Nymph Errant, and the world premier of Morris West’s The World is Made of Glass. Among Scott’s many regional credits are; Don Juan for the Denver Center (Denver Drama Critics Award), Ulysses On Bottles (IRNE Nomination) for Israeli Stage, Balkan Women for Bristol Riverside Theatre (Barrymore Award Nomination), Comedy of Errors for Commonwealth Shakespeare (Elliot Norton Award), My Fair Lady for TheatreVirginia (Phoebe Award), Don Giovanni for NEC Opera, The Whipping Man and Freud’s Last Session for New Repertory Theatre, Melinda Lopez’ MALA for ArtsEmerson, Secret Garden for the Olney Theatre and Larry Gatlin’s Texas Flyer for TUTS. Internationally, he has designed for Singapore Rep and The Club Mohamed-Ali in Cairo. Scott is a Professor at Emerson College in Boston. His design company, Pinkney Associates, LLC, counts among its clients, IBM, The Smithsonian Institution and BMW. slpinkney.com

Brian Prather has designed for Barrington Stage Company for over a decade with more than 30 BSC productions to his credit. Designs include the premieres of American Son, Freud’s Last Session and Becoming Dr. Ruth, as well as productions of Boca; Eleanor; Time Flies and Other Comedies; Into the Woods; A Doll’s House, Part 2; Typhoid Mary; Ragtime; Breaking the Code; Engagements; A Streetcar Named Desire; The North Pool; I Am My Own Wife; Fully Committed; A Picasso; Thief River; and premieres of musicals including The Burnt Part Boys, The Memory Show, The Mysteries of Harris Burdick, Poolboy, and many others. Brian has also taken BSC to New York and beyond, designing the Off Broadway productions of The Burnt Part Boys, The Memory Show, and Becoming Dr. Ruth, as well as designing the long-running Off Broadway production of Freud’s Last Session, which he also designed in LA, Detroit, Houston, and Chicago (which won the Jeff Equity Best Set Design: Midsize award). Other Off Broadway credits include the premiere of Patrick Barlow’s new adaptation of A Christmas Carol at St. Clements, Daniel’s Husband, Widowers’ Houses and productions with Playwrights Horizons, TACT, The Transport Group, 59E59 and Prospect Theatre Co. among others. Regional and other credits include productions at The Alley Theatre, Goodspeed Musicals, TheaterWorks Hartford, Virginia Rep., Delaware Theatre Co., The Hangar Theatre, Shakespeare on the Sound, Penguin Rep., the Rubicon, Broad Stage, Mercury Theatre, Capitol Rep. and the Chung-mu Art Hall in Seoul, South Korea. Brian was also recently nominated for an Emmy Award (New England region) for the design of “The Kate” live music series with Connecticut Public Television. Brian has taught design as full-time faculty at Alvernia University and Ithaca College, as well as serving as guest artist at NYU, Emerson College, and The Hartt School. Jeff Award and BTCA Award winner. brianprather.com

BSC: The Royal Family of Broadway, The Pirates of Penzance, On the Town and Guys and Dolls. Broadway: On the Town (Tony nom.), Penn & Teller, Urinetown (Tony Award and Outer Critic’s Circle Award), A Christmas Story, The Wedding Singer, A Thousand Clowns and Neil Simon’s The Dinner Party. City Center Encores!: Little Me, Superman, On the Town, Damn Yankees, Face the Music, Of Thee I Sing, Pajama Game, Do Re Mi and Strike Up the Band. Off Broadway credits include Jerry Springer: The Opera, Lives of the Saints, The Heir Apparent (Callaway Award), All in the Timing (Obie Award), The Toxic Avenger, among many others.

BSC: Boca; Mother’s Day; Three Viewings; Time Flies and Other Comedies; The Cake; Love Letters; Kimberly Akimbo; Dr. Ruth, All the Way; To Kill a Mockingbird; Ring Round the Moon; Project Laramie. Broadway: Cat on a Hot Tin Roof with Kathleen Turner. Off Broadway: The Cake, MTC (Nom: Drama League); Becoming Dr. Ruth (Nom: Drama Desk, Outer Critics, Conn Critics Cir); A Girl’s Guide to Chaos; Frankie and Johnnie in the Claire de Lune, The Butcher of Baraboo (Judith Ivey, Second Stage). Recent regional: The Cake (LA Stage Ovation Award, LA Drama Critics Circle Award), Deathtrap (Berkshire Theatre Group), Madagascar (Chester), Annapurna (Rob Ruggiero, TheaterWorks Hartford), True West, A Flea in Her Ear (John Rando, Williamstown). Film credits include Big, Clockwatchers, Sgt. Bilko, She’s Out of My League and over 200 television appearances, most notably: Wandavision, This Is Us, The Ranch, That ‘70s Show, Seinfeld, Friends, NCIS: LA, Elementary.

Charlie (19^th Season) joined the BSC family in 2005 and has represented over 150 BSC productions. His work has led to features in The New York Times, The Wall Street Journal, The Boston Globe, Associated Press and American Theatre Magazine. His many PR credits include the Metropolitan Opera (Live in HD), Paper Mill Playhouse, George Street Playhouse, Hartford Stage, Goodspeed Musicals, Long Wharf Theatre, Surflight Theatre and Two River Theater Company. He serves as Press Rep for Wagner College Theatre, The Minty Awards, Ghostlight Productions and Forestburgh Playhouse. Charlie is a 1995 Theatre/Arts Administration graduate of Wagner College on Staten Island, where he currently teaches Theatre Appreciation. In 2021, he received a Berkshire Theatre Critics Association Special Award for Exceptional Support of Arts Journalism in the Berkshires.

BSC: Eleanor (2021), Gertrude and Claudius (2019), Typhoid Mary (2018), Camping With Henry and Tom (2016—Outer Critics Circle and Lucille Lortel Awards), Dancing Lessons (2014), Scott and Hem in the Garden of Allah (2013), Dr. Ruth, All the Way (2012), The Best of Enemies (2011), Freud’s Last Session (2009/2010), The Collyer Brothers/Period Piece (2008), The God Committee (2004) and Ears on A Beatle (2003). The Best of Enemies received its world premiere on BSC’s Boyd-Quinson Stage in 2011 and became the theatre’s best-sold play of all time. Mark wrote Freud’s Last Session, which became Barrington Stage Company’s longest-running play and moved Off Broadway where it played for two years. Other plays include Out of Gas on Lover’s Leap, Relativity, George Washington’s Teeth and Wednesday’s Child. His latest, DAD, was seen this summer at the Great Barrington Public Theater. With John Markus, Mark wrote the musical comedy The Fabulous Lipitones, the musicals The Gifts of the Magi and Johnny Pye with Randy Courts. He co-wrote the screenplay for Carroll Ballard’s Warner Brothers film Duma and co-produced the documentary My Dog, An Unconditional Love Story. Mark’s book, WALKING EVIL — How Man’s Best Friend Became My Worst Enemy will be available in August at Amazon. He is member of the Dramatists Guild and the Writers Guild East. Mark is also a Founding Board Member of the Barrington Stage Company.

BSC: Ragtime, On the Town, Kiss Me Kate. Elizabeth Stanley received 2020 Tony, Drama Desk and Outer Critics Circle Award nominations, and is a Grammy Award winner for her performance as Mary Jane in the new Broadway musical Jagged Little Pill (inspired by the music of Alanis Morissette, a book by Diablo Cody, and directed by Diane Paulus). During the past year, she has appeared in many virtual benefit performances, most notably performing “The Miller’s Son” in Take Me to the World: A Sondheim 90th Birthday Celebration (YouTube). Ms. Stanley has dazzled Broadway audiences as Claire De Loone in the revival of On the Town (Drama Desk Nomination), Dyanne in Million Dollar Quartet, Allison in Cry-Baby and April in the Tony Award-winning revival of Company. She appeared Off Broadway as Gussie in the revival of Merrily We Roll Along at New York City Center Encores! (PS Classics cast recording), The Nurse in Hello, Again (Transport Theatre Group, Drama League Award), Signature Theatre’s production of F**king A and Of Thee I Sing (Master Voices, Carnegie Hall). She starred as Francesca in the First National Tour of Jason Robert Brown’s The Bridges of Madison County and as Kira in the First National Tour of Xanadu. Television guest appearances include “Younger”, “Blue Bloods”, “N0S482”, “FBI”, “The Get Down”, “The Affair”, “Black Box”, “Made in Jersey”, “Fringe”, “The Chappelle Show” and “PBS Great Performances: Stephen Sondheim’s Company.” She has appeared on stages throughout the country including: Sundance Theatre Festival, Sacramento Music Circus, Pittsburgh CLO, Philadelphia Theatre Co., Rep. of St. Louis, O’Neill, La Jolla Playhouse, Pioneer Theatre Co., Cincinnati Playhouse. Graduate of the Indiana University Jacobs School of Music. IG: @el.stans

BSC: Who Could Ask for Anything More? The Songs of George Gershwin, Gertrude and Claudius, West Side Story, Company, Ragtime, Much Ado About Nothing, American Son, His Girl Friday. Sara is a New York City-based costume designer, originally from Paris, France. Recent designs include Salome (LA Opera); Xerxes, Cato in Utica (Glimmerglass Festival); the world premiere of Laura Kaminsky’s As One (Brooklyn Academy of Music); Cosi Fan Tutte (Juilliard); Carmen, Orpheus in the Underworld, Rinaldo, Cendrillon (Central City Opera); A Flea in Her Ear (Delaware Rep & Westport Country Playhouse); Manuscript, The Exonerated (Daryl Roth Theatre); The Maids, ‘Tis Pity She’s a Whore (Red Bull Theater); Into the Woods (Hudson Valley Shakespeare Festival). Associate Design credits include the Metropolitan Opera, Lyric Opera of Chicago, Opera Bastille, Ceasar’s Palace in Las Vegas and multiple Broadway shows. She was awarded the Princess Grace Award in Design as well as the Bel Geddes Design Enhancement Award. She earned a BFA and MFA from NYU’s Tisch School of the Arts, with Outstanding Achievement in Design. SaraJeanTosetti.com

BSC: Who Could Ask for Anything More? The Songs of George Gershwin, Holiday Getaway, The Hills Are Alive with Rodgers & Hammerstein, On the Town, Funked Up Fairytales and countless concerts. Broadway: On the Town; American Idiot (OBC); On a Clear Day You Can See Forever; Priscilla, Queen of the Desert; Bring it On!. OFF BROADWAY: Scotland, PA; Smokey Joe’s Cafe (Lortel Nominee and Chita Rivera award winner); Make Me a Song (The Music of William Finn). TV: Girls5eva, Bonding, The Climb, Law & Order: SVU, Royal Pains, Nurse Jackie. RECORDINGS: On the Town, Wonderful Town (with the London Symphony Orchestra) American Idiot, Bring it On!, Fugitive Songs and I’ve Been Played: Alysha Umphress Swings Jeff Blumenkrantz. Love to Joby and Diz.

BSC: A Crossing: A Dance Musical, Eleanor, The Royal Family of Broadway, Presto Change-O, Guys and Dolls, Travels With My Discontent, The Human Comedy, Follies, Sweet Charity. An Argentine native, he immigrated to the U.S. in the late 1990s. He has designed for Broadway – Beautiful, Allegiance, Holiday Inn – and Off Broadway, as well as for Roundabout Theatre, Manhattan Theatre Club, Radio City Rockettes, NYC Center Encores!, Atlantic Theatre Company, NYC Opera, Primary Stages, The Irish Rep, MCC and Ensemble Studio Theatre, among other New York companies. He has also extensively designed for regional theatres across the U.S., commercial projects, operas, ballets and for the Ringling Bros. and Barnum & Bailey Circus. He is an Olivier and Drama Desk nominee and the recipient of the 2010 TDF Irene Sharaff Young Master Award.

BSC: Boca, America v. 2.1: The Sad Demise & Eventual Extinction of The American Negro, Gaslight, His Girl Friday, The Crucible, To Kill a Mockingbird, Guys & Dolls, Carousel, The Laramie Project: Epilogue and 10×10 New Play Festival (all 10 years!). Great Barrington Public: Dad. BAT: Doubt (Best Actress nominee BroadwayWorld). Shakespeare & Co: Leap Year. New York: Six Women with Brain Death (co-author, and performed it also in Chicago, Dallas and Kansas City). Regional: 10 seasons with Creede Repertory Theatre in Colorado performing over 50 roles, including Mrs. Lovett in Sweeney Todd (Best Actress Ovation Award Denver Post), Shirley Valentine, Josie in A Moon for the Misbegotten and Mac in Three Viewings. Many other regional including: Dallas Theatre Center, Theatre 3, Kansas City Rep, Unicorn, KC Lyric Opera, Berkshire Playwrights Lab, White River in Vermont and Rose Theatre in Chicago.