Driving Miss Daisy ⭑ May 30 – June 21 | To Be Announced, Main Stage ⭑ June 16 – July 3 | Estate Sale ⭑ June 30 – July 25 | A Chorus Line ⭑ July 15 – August 8
To Be Announced ⭑ August 5 – 29 | Noises Off ⭑ August 19 – September 6 | To Be Announced ⭑ September 30 – October 25
Boyd-Quinson Theater
Conceived and originally directed and choreographed by Michael Bennett
Book by James Kirkwood and Nicholas Dante
Music by Marvin Hamslich
Lyrics by Edward Kleban
Co-choreographed by Bob Avian
Directed by Alan Paul
July 15-August 8
Opening Night: Sunday, July 19
17 dancers audition for a coveted spot in the next hot Broadway show. To make it, they must prove they have more than just talent — this will take grit. In a major musical production, Alan Paul directs the Pulitzer and Tony Award-winning musical that eclipsed all others when it shot to fame 50 years ago.
By Michael Frayn
Directed by Gordon Greenberg
August 19-September 6
Opening Night: Sunday, August 23
Doors slam, actors don’t know their lines, the leading lady can’t find her sardines, the ingénue is on auto-pilot — and they haven’t even raised the curtain yet! Noises Off, the ultimate farce, invites us behind the scenes as a bumbling cast rehearses a fantastic flop.
St. Germain Stage
By Alfred Uhry
Starring Debra Jo Rupp and Ray Anthony Thomas
Directed by Julianne Boyd
In Collaboration with Palm Beach Dramaworks
May 27-June 21
Opening Night: Saturday, May 30
Debra Jo Rupp and Ray Anthony Thomas star in this beloved Pulitzer Prize-winning play that explores the life-changing relationship between two people bridging societal divides. Set in 1948 Georgia, Daisy, a Jewish widow, and Hoke, her Black chauffeur, surprise each other — and themselves — as they develop a 25-year relationship built on respect, understanding, and affection.
The World Premiere of
By Keelay Gipson
June 30-July 25
Opening Night: Sunday, July 5
A grieving son confronts the pain of his loss and the impossible task of clearing his deceased parents’ home in this World Premiere play. Award-winning playwright and multi-disciplinary artist Keelay Gipson’s semi-autobiographical Estate Sale reveals how the objects of our lives inform, reveal, and preserve our personal mythologies.
